Pascale de Graff (b. 1995, UK/NL) is an artist-curator based in London. She is a member of Collective Ending and Gobyfish Collective. Jasia Reichardt’s robotics archive is used as a guide for her research into histories of the future. Her material practice deals with objects whose provenance can be traced back to institutions of power.
Pascale holds a BA from the Courtauld Institute of Art (London), and an MFA from the Piet Zwart Institute (Rotterdam). She participated in residencies at the Bauhaus-Universität (Weimar) and l’École Internationale de Théâtre Jacques Lecoq (Paris). She has previously worked for Ben Hunter and Sadie Coles. Her work has featured in De Player Magazine, Tate Etc. and Art & Education. Her curatorial projects include 'The Don Show' at Studio 59 (London), 'Slingshot' at Filet (London) and 'Spoil Conduct' at Available & the Rat (Rotterdam).